This is my favorite quote, regarding the many styles Criterion now uses on their discs:
One of Criterion’s great strengths is the diversity of films it releases, so to treat them all the same would ultimately do them a disservice. Apart from the greatness, is there anything that connects The Seventh Seal to Nashville or a Chaplin film? They’re such radically different experiences that they deserve their own unique identities.
If I had to pick, I think my favorite Criterion cover is Caitlin Kuhwald’s To Be or Not to Be.